The Princess of Montpensier

November 3rd, 2010







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more trailers The Princess of Montpensier

Still of Bertrand Tavernier and Mélanie Thierry in The Princess of MontpensierStill of Mélanie Thierry in The Princess of Montpensier

Plot
Bertrand Tavernier is in top form with this gripping, superbly mounted drama set against the savage Catholic/Protestant wars that ripped France apart in the 16th century...

Release Year: 2010

Rating: 6.6/10 (1,108 voted)

Critic's Score: 78/100

Director: Bertrand Tavernier

Stars: Mélanie Thierry, Lambert Wilson, Grégoire Leprince-Ringuet

Storyline
Bertrand Tavernier is in top form with this gripping, superbly mounted drama set against the savage Catholic/Protestant wars that ripped France apart in the 16th century. Based on a novella by the celebrated Madame de Lafayette, the action centers on the love of Marie de Mezières for her dashing cousin Henri de Guise, thwarted when her father's political ambitions force her into marriage with the well-connected Philippe de Montpensier, who she has never met. When Philippe is called away to fight, she is left in the care of Count Chabannes, an aging nobleman with a disdain for warfare, and soon becomes exposed to the sexual and political intrigues of court.

Writers: Jean Cosmos, Madame de La Fayette

Cast:
Mélanie Thierry - Princesse Marie de Montpensier
Lambert Wilson - Comte de Chabannes
Grégoire Leprince-Ringuet - Prince de Montpensier
Gaspard Ulliel - Henri de Guise
Raphaël Personnaz - Duc d'Anjou
Anatole de Bodinat - Joyeuse
Eric Rulliat - Quelus
Samuel Theis - La Valette
Michel Vuillermoz - Duc de Montpensier
Judith Chemla - Catherine de Guise
Philippe Magnan - Marquis de Mézières
César Domboy - Mayenne
Jean-Pol Dubois - Cardinal de Lorraine
Florence Thomassin - Marquise de Mézières
Christine Brücher - Duchesse de Montpensier

Taglines: Passion Destroys Everything



Details

Official Website: IFC Films [United States] | StudioCanal [France] |

Release Date: 3 November 2010

Filming Locations: Angers, Maine-et-Loire, France

Opening Weekend: $23,456 (USA) (17 April 2011) (3 Screens)

Gross: $340,917 (USA) (26 June 2011)



Technical Specs

Runtime:



User Review

Flavours of love

Rating: 10/10

My love affair with cinema started as a teenager with a chance viewing of Patrice Chéreau's La reine Margot (1994) late one night on TV. It's a lavish costume drama set at the same time as The Princess of Montpensier including some of the same characters, both with key scenes set during the St Bartholomew's Day Massacre in 1572. So this felt like a return to the beginning for me, a special occasion.

I feared it may have been a wasted ticket at the start as it opens with a rather bombastic action sequence that looked too staged and was drowned by Hollywood "big music", ludicrous percussion-heavy seat-shaking stuff. Perhaps Tavernier caught a bug working in the States on In the Electric Mist. Of course such antics may be right up your street if you are a Gladiator fan. By the way I felt the first scene portrayed the Comte de Chabannes and cohorts as being too reckless with their lives, unrealistically so.

However the film improved, and Chabannes cut an iconic figure in his odd Spanish hat. The film was based on the short story of the same name by Madame de La Fayette, which I definitely intend to read now.

The drama concerns the Princess of Montpensier (Mélanie Thierry) who is loved by four very contrasting men. Will she choose the right one? Haha, that would not be very interesting now would it? I think it's somewhat of a breakout role for the stunning Mélanie Thierry, who has been in some potboilers as well as having a very gamine role as the passive object of Danny Boodmann T.D. Lemon Nineteen Hundred's affections in Giuseppe Tornatore's The Legend of 1900 back in 1998. She is the very essence of the type of woman that a man develops amour fou for. The best casting decision I've seen all year for sure, though it would have helped if Tavernier had been a better director of actors.

I did feel there was a strange lack of pathos in the movie, I think generally a director requires actors to emote, to show what they are thinking on their faces. This is the great artifice of cinema. I've seen a few Tavernier films and I don't think he likes to get them doing that. In a way I think that makes the movie quite abstract. The plot is so sheerly powerful by itself that I was enraptured.

I like the way the movie quotes the sentiments from Hebrews Chapter 11 Verse 1: "Now faith is the substance of things hoped for, the evidence of things not seen." Faith is something that we've lost to a degree in western life, making life seem a pointless charade. Good watching. 10/10 as I'm a sentimental fool.

To Claire, impertinently.









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