The Man from NowhereAugust 5, 2010
A quiet pawnshop keeper with a violent past takes on a drug- and organ trafficking ring in hope of saving the child who is his only friend.
Release Year: 2010
Rating: 7.8/10 (10,553 voted)
Stars: Bin Won, Thanayong Wongtrakul, Sae-ron Kim
An ex-special agent CHA Tae-shik's only connection to the rest of the world is a little girl, So-mi, who lives nearby. Her mother, Hyo-jeong smuggles drugs from a drug trafficking organization and entrusts Tae-shik with the product, without letting him know. The traffickers find out about her smuggling and kidnap both Hyo-jeong and So-mi. The gang promises to release them if Tae-shik makes a delivery for them, however it actually is a larger plot to eliminate a rival drug ring leader. When Hyo-jeon's disemboweled body is discovered, Tae-shik realizes that So-mi's life may also be in danger. Tae-shik becomes enraged at the prospect that So-mi may already be dead and prepares for a battle, putting his own life at risk.
Nothing to lose, nothing to compromise
Release Date: 5 August 2010
[to Tae-Sik Cha]
Kids will learn from their mistakes. Parenting isn't just giving birth. She's always by herself. Bring her around more often, like the other dads. It's on me.
Violent yet touching.
This movie threatens to be a run-of-the-mill action movie, but manages
to create its own identity. The sameness is how it shows most of its
bad guys, and there are plenty, as one dimensionally evil. There are
children who are put in harm's way, but not gratuitously–for the most
part–providing the hero with a chance to be human.
It's very Korean in its thinking, which is always refreshing to me.
Saying that, I was surprised by how much it reminded me of TAXI DRIVER.
It's not a re-tread by any means, but it almost felt like the director
was paying tribute to the earlier film in a couple of scenes. I have no
idea if this is true. Most people I have talked to about this movie
have never seen the other.
This is an action film and it does not disappoint on that level. Some
of it is pretty brutal, but by the finale you will most likely feel
that everyone gets what they deserve and, if anything, a few deserved
more. This is because they manage to build characters we care about
with out slowing down too much. The pacing is nicely done with properly
placed comic moments as well. Some of the humor was a bit dark, which
was also nice.
What surprised me was how much I cared for the main characters. The
child was sweet but not overly so. I'm used to the child being inserted
for sentimental or "Ahhhh" effects–like in the first RUSH HOUR–but
that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel
cruel. That is why I liked it. So often films are either mindless, or
mean-spirited, and this one avoided these pit-falls.