TranssiberianOctober 24, 2008
A Trans-Siberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
Release Year: 2008
Rating: 6.8/10 (24,012 voted)
Critic's Score: 72/100
Stars: Woody Harrelson, Emily Mortimer, Ben Kingsley
Americans abroad. Roy and Jessie finished a volunteer stint in China. He loves trains, so they go home via the Trans-Siberia Express. There are strains in the relationship, including her past. They meet Carlos, a Spaniard, traveling with Abby, a young American. Carlos keeps close to Jessie, and when Roy is left behind and waits a day for the next train so he can catch up, Jessie and Carlos take a trip into the dead of winter to photograph a ruined church. Carlos may be running drugs, so, later, when Roy catches up and introduces Jessie to his new pal, an English speaking Russian narcotics detective, he's the last person Jessie wants to see. Will the Siberian desolation be their undoing?
Writers: Brad Anderson, Will Conroy
Manager Hotel Pushkin
Female Train Attendant #1
(as Sonata Visockaite)
Female Train Attendant #2
You can't escape your lies.
Release Date: 24 October 2008
Filming Locations: China
Box Office Details
Opening Weekend: $34,615
(20 July 2008)
(9 November 2008)
Did You Know?
Transsiberian had the misfortune of opening on the same weekend as
The Dark Knight, the second biggest film in history.
In one of the first scenes you see the inspector with everything frozen in the building. He finds a dead body with a knife in its head. Everything is frozen – except for the blood on the knife.
Hold on there Ilya, don't tell me that you miss the USSR? I mean the USSR was a dark evil empire.
Maybe so. But then we were people living in the darkness, now we are people dying in the light. Which is better? When it was USSR a man lived until 65 years, now it is 58 years. I know this fact very well, I am 58. In Russia now we say there are only 2 kinds people, those who leave in private jet, and those who leave in coffin.
Which are you?
I'm too old to leave. Just do my job.
Wow! Like a Hitchcock Classic!
2008 Sundance Film Festival ★ ★ ★ ★ (out of four)
My favorite movie from the first day of Sundance 2008. Roy (a very
young-looking Woody Harrelson) and Jessie (Emily Mortimer) are a young
Iowa couple, returning from a church humanitarian mission in China via
the Transsiberian Express, where they encounter the much more
adventurous Carlos (Eduardo Noriega) and Abby (Kate Mara). Boarding
mid-way is Ben Kingsley, who we have learned from the opening scene is
a Moscow police detective.
Like a Hitchcock classic, we are grabbed from the start with a feeling
that things are not all as they seem, and don't lose that uneasy
feeling that something very bad is going to happen until bad things
really start happening. The tension is eerie and relentless, with
telling glances and social conversation that suggest the relationships
between these four are going to take a disturbing turn. Written by
Director Brad Anderson (The Machinist), and inspired by a Transibberian
trip he once took, the script is inspired and very tight, the
characters infused with extraordinary depth and interest, the Russian
state a harrowing umbrella and the dialog consistently powerful and
compelling. (My favorite line, from Ben Kingsley, goes something like
this: "We have a saying in Russia: You can always go forward with a
lie, but you can never go back.")
As Anderson said in the Q&A, the confined spaces of trains make for
heightened drama. Shot in Lithuania, the cinematography is haunting,
capturing the mysterious, bleak and unsettled state of post-Soviet
Russia, which makes for a marvelous backdrop to the action.
This movie should do well in national release. Maybe very well.
Sundance Moments: Brad Anderson and all the principals of the cast were
at the Sundance premiere. More so than usual, they all praised Anderson
as an extraordinary and meticulous director, one of the greats. Ben
Kingsley noted that what attracted him to the movie, besides the
Russian sub-story, was that the characters were archetypes and not
caricatures, which is quite true. Anderson talked about how bitterly
cold it was shooting in Lithuania.