Marie Antoinette

October 20, 2006 0 By Fans
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Still of Asia Argento and Rip Torn in Marie AntoinetteSofia Coppola in Marie AntoinetteKirsten Dunst at event of Marie AntoinetteKirsten Dunst in Marie AntoinetteKirsten Dunst and Sofia Coppola in Marie AntoinetteStill of Kirsten Dunst and Jason Schwartzman in Marie Antoinette


The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.

Release Year: 2006

Rating: 6.4/10 (42,189 voted)

Critic's Score: 65/100

Sofia Coppola

Stars: Kirsten Dunst, Jason Schwartzman, Rip Torn

"All eyes will be on you," says the Austrian duchess, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France.


Kirsten Dunst

Marie Antoinette

Jason Schwartzman

Louis XVI

Judy Davis

Comtesse de Noailles

Rip Torn

Louis XV

Rose Byrne

Duchesse de Polignac

Asia Argento

Comtesse du Barry

Molly Shannon

Aunt Victoire

Shirley Henderson

Aunt Sophie

Danny Huston

Emperor Joseph II

Marianne Faithfull

Empress Maria Theresa

Mary Nighy

Princesse Lamballe

Sebastian Armesto

Comte Louis de Provence

Jamie Dornan

Count Axel Fersen

Aurore Clément

Duchesse de Char

Guillaume Gallienne


Let Them Eat Cake


Official Website:
Official site [France] |
Official site [Japan] |

Release Date: 20 October 2006

Filming Locations: Basildon Park, Lower Basildon, Berkshire, England, UK

Box Office Details

Budget: $40,000,000


Opening Weekend: €22,344
(11 June 2006)
(22 Screens)

Gross: $60,862,471
(15 March 2007)

Technical Specs


Did You Know?


The men playing guitar(s) in the scene with a woman singing for Marie are members of the group Phoenix. The lead singer Thomas Mars is the life partner of Sofia Coppola.


Errors made by characters (possibly deliberate errors by the filmmakers):
At the first dressing, the Comtesse de Noailles introduces the Dauphine to Louise-Marie-Josephine di Savoia as the Comtesse de Provence before she had actually married the Comte de Provence.


Duchesse de Polignac:
There's something in the oysters!

User Review

Gidget Goes to Versailles

Rating: 4/10

and when she gets there, she gets bored, gossips, reads Rousseau, and
has beach-blanket pot parties in Amadeus outfits. I did like the music,
there is one inspired masked ball and a good "watch the sun rise" scene
– the strength of this film is its connection to high school culture,
seen through the eyes of a sweet, utterly conventional and finally
boring teenage girl, projected from the California suburbs onto 18th
century France. This is obviously also the film's weakness: this movie
is a beautiful, expensive still life that knows nothing at all about
French history, Europe, the Revolution, the Bourbons, how the ancien
regime worked, how incompetent wars and not Marie Antoinette's
Imelda-Marcos-like shoe fetish ran up the debt, about the conflict in
North America with England and Spain, about how leading members of
French government actually had brains – the films displays a nitwit,
decadent, wig-loving, golden-furniture France as though seen by a
France-hater in the Bush administration. As my brother pointed out, the
movie also blew the subject of a potentially great movie, which is
Marie Antoinette's inspired, sometimes brilliant defense of herself at
her later trial. Trying to learn about what happened to the French
court from this film is like trying to learn about American corporate
culture by watching J.R Ewing's 30 second business deals at the
Cattlemen's Club on Dallas. Well sure, politics wasn't the subject of
the movie, but why is the "chick stuff" buried in diamonds and
champagne? That makes these women seem way less tough and intelligent
than they actually were in the bloody contact sport of French court
politics. As an American watching this in Paris I was struck by the
film's lack of historical, political, and cultural sophistication, in
which Dunst is in every single frame and it's all one gigantic royal
slumber party until the peasants show up in an illiterate wordless mass
baying for bread and blood and shaking their satanic harvesting tools.
Ouch: The film makes the most sense as a weird allegory of Hollywood