Bridget Jones: The Edge of Reason

Plot

After finding love, Bridget Jones questions if she really has everything she's dreamed of having.

Release Year: 2004

Rating: 5.6/10 (35,037 voted)

Critic's Score: 44/100

Director:
Beeban Kidron

Stars: Renée Zellweger, Colin Firth, Hugh Grant

Storyline
The story picks up four weeks after the first film, and already Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, strange contractor, and the worst vacation of her life.

Writers: Helen Fielding, Andrew Davies

Cast:

Renée Zellweger
–

Bridget Jones

Gemma Jones
–

Mum

Jim Broadbent
–

Dad

James Faulkner
–

Uncle Geoffrey

Celia Imrie
–

Una Alconbury

Dominic McHale
–

Bernard

Colin Firth
–

Mark Darcy

Donald Douglas
–

Admiral Darcy

Shirley Dixon
–

Mrs. Darcy

Neil Pearson
–

Richard Finch

Rosalind Halstead
–

Receptionist

Luis Soto
–

Mexican Ambassador

Tom Brooke
–

Production Assistant

Hugh Grant
–

Daniel Cleaver

Alba Fleming Furlan
–

Girl in Rome

Taglines:
Bridget's back! (UK)

Details

Official Website:
Official Site (International) |
Universal Pictures |

Release Date: 19 November 2004

Filming Locations: Aldbury, Hertfordshire, England, UK

Box Office Details

Budget: $40,000,000

(estimated)

Opening Weekend: $8,684,055
(USA)
(14 November 2004)
(530 Screens)

Gross: $40,203,020
(USA)
(16 January 2005)

Technical Specs

Runtime:

108 min

Did You Know?

Trivia:

Earned $8.7 million in its 530-theater opening weekend, setting the record of the highest-grossing limited release opening weekend. This record was broken seven years later by
Mission: Impossible – Ghost Protocol, which earned $12.8 million in its 425-theater debut.

Goofs:

Continuity:
In several scenes, the heart on Bridget's necklace switches sides.

Quotes:

Daniel Cleaver:
Oh, come on Jones. Who gave who the hoof… and why?

Bridget Jones:
Let's just say… that we suffered from fatal incompatibility.

User Review

Disappointment = not a strong enough word.

Rating:


First, the positives – Colin and Hugh are still hitting their marks.
Even though he might not know why, Mark positively adores Bridget.
Colin gets that and twinkles, melts and warms in all the right places.
Same goes for Daniel– he's drawn to his Bridge for some inexplicable
reason. Hugh Grant really ought to be looking for a patent for that
mojo he works so well. All of the original actors are back as Bridget's
parents and her "dating war command" of pals and all have a natural,
easy chemistry that works. But, the negatives, they are a-plenty.

Biggest problem here was the complete tone change. In the first film,
we were on the ride with Bridget…seeing things through her eyes,
groaning as she put her foot in her mouth again and cheering for her to
finally get it right. However, in this movie, it feels like someone
stuck her up on a stage and spent 2 hours throwing pies and tomatoes at
her cause it seemed real cool. She's not in on the joke here, she IS
the joke. Her few extra pounds are no longer just a part of the package
– they are the end-all of her worth as a person. It feels like the
folks behind this film don't even LIKE the character – they just think
it's real cool to humiliate her as often as possible. It doesn't even
look like they bothered to send Renee to makeup or wardrobe – she (as
Bridget) was pleasantly plump in the first film, but never dowdy. The
character is downright frumpy in this movie with a perpetual case of
bed head and clothes that look like castoffs from Mayberry. And Renee
plays into it with her acting choices – Bridget was frazzled in the
first movie but still retained her dignity most of the time. She's a
perpetual victim in this one, though, and even though Renee is still
cute as a button and incredibly endearing, some of Bridget's spark is
gone.

What happens after the happy ending? Couple realizes that they are each
real, flawed people. And the movie makes it seem like Mark is at that
point – never tries to change Bridget, never gets angry and her
constant mishaps amuse more than annoy. But, as each of Bridget's
tantrums unfolded, I kept asking myself why in the WORLD the man was
still there. Bridget's keen on him but doesn't trust him. She likes to
be with him but is suspicious of his actions without any real cause.
Now, we know she's an insecure character and feels like she's not
classy enough to fit into his world. And if the movie built from that,
maybe we'd have a different story. But the obstacles they face are
external. The characters never make decisions on their own – something
or someone else makes them feel a certain way or forces them into a
course of action that decides what will happen next. And Bridget's
reactions almost make it seem like somehow, over the course of the last
'six weeks', she's regressed to a girl in the schoolyard stomping her
feet when her boyfriend does something she doesn't like.

Another problem – the utter lack of subtlety. Why include one fat joke
when 3 or 4 plus a butt shot can fit into the scene? Why spend most of
the movie dropping hints about a reveal when you can beat the audience
over the head with it in one of the final scenes? Why have Daniel make
one joke about stealing Mark's wife when he can drop another one 30
minutes later? Oh look, matching Christmas jumpers – how cute. Most of
the funny in this movie comes from certain 'episodes' as opposed to the
dialogue. I loved the ski trip and Bridget's 'magic mushrooms' in
Thailand. But, when the characters are actually talking to each other,
they just aren't that funny. Most of the jokes are reruns from the
first movie that feel stale. The naughty jokes are kicked up a notch
but everyone in my packed theater, including me, either grimaced or sat
stone-faced through most of them. Note to filmmakers: dirty has to
actually BE funny to be funny.

This feels like a movie about a woman made by men who think wet
clothes, girl-on-girl action and butt close-ups get it done. I read
some interviews that said that Renee would only do a second film if it
took care of Bridget and held up the standards of the first. I almost
wonder if someone slid her this script on the first day of shooting as
a rewrite once she'd already signed on the dotted line. This felt like
a bleached, harsher version of the first– the warmth is gone. I know
there was a different director and I really don't think the new kid
gets why Bridget was/is such a phenomenon. As much as I was looking
forward to this film, I wish they'd never done it.

Oh, and also, as a P.S. – if I was a Thai woman right now, I'd be suing
Working Title and Miramax for defamation of character for their version
of 'Fun with Stereotypes'.