Gangs of New York

December 20, 2002 0 By Fans
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Still of Martin Scorsese in Gangs of New YorkStill of Cameron Diaz and Daniel Day-Lewis in Gangs of New YorkBono and Baz Luhrmann at event of Gangs of New YorkStill of Leonardo DiCaprio and Daniel Day-Lewis in Gangs of New YorkStill of Daniel Day-Lewis in Gangs of New YorkStill of Leonardo DiCaprio and Daniel Day-Lewis in Gangs of New York


In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

Release Year: 2002

Rating: 7.4/10 (153,014 voted)

Critic's Score: 72/100

Martin Scorsese

Stars: Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis

1863. America was born in the streets. In this movie, we see Amsterdam Vallon returning to the Five Points of America to seek vengeance against the psychotic gangland kingpin Bill the Butcher who murdered his father years ago. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area. However this is more said than done.

Writers: Jay Cocks, Jay Cocks


Leonardo DiCaprio

Amsterdam Vallon

Daniel Day-Lewis

Bill 'The Butcher' Cutting

Cameron Diaz

Jenny Everdeane

Jim Broadbent

William 'Boss' Tweed

John C. Reilly

Happy Jack Mulraney

Henry Thomas

Johnny Sirocco

Liam Neeson

'Priest' Vallon

Brendan Gleeson

Walter 'Monk' McGinn

Gary Lewis


Stephen Graham


Eddie Marsan


Alec McCowen

Reverend Raleigh

(as Alec Mccowen)

David Hemmings

Mr. Schermerhorn

Lawrence Gilliard Jr.

Jimmy Spoils

(as Larry Gilliard Jr.)

Cara Seymour

Hell-Cat Maggie

America Was Born In The Streets.


Official Website:
Miramax Film Corp. [United States] |

Release Date: 20 December 2002

Filming Locations: Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Box Office Details

Budget: $97,000,000


Opening Weekend: $9,496,870
(22 December 2002)
(1504 Screens)

Gross: $190,000,000

Technical Specs


Did You Know?


Many of the characters portrayed in the movie are actually buried in Green-Wood Cemetery in Brooklyn. The view of the skyline shown at the end of the movie would not be visible from this location, but rather from the Williamsburg section of Brooklyn.


Revealing mistakes:
When Amsterdam and Jenny fight, before they make love, Amsterdam slams her against a wooden beam in her room. Several times, the black finish comes off the beam, revealing the white foam underneath.


[Runs at the soldiers]

User Review

He actually did it!


You'd think Scorcese has bitten a bit more than he could possibly chew,
time. Well, he didn't. Gangs of new York is not an "epic masterpiece" and
ain't that because I seriously doubt the directors aim was that. It's a
great movie in it's own account, but you have to watch it in the right

The plot: Tight enough and well paced, with a couple of lows (expected
for a
three-hour film) but generally it comes out pretty neat. Some may find it
disturbing, as it contains extreme violence and it does not portray an
America of happy workers, even happier slaves, benevolent rich and just
authorities – instead, it portraits the true 1860 society. Definitely not
for those who like their films with plenty of sugar on the

The epic and the drama: Well, basically the film is the story of two men.
Around them things evolve and a brave new world comes forth – but we only
get to watch snapshots of that world. Until the last sequence, that is
the whole city "explodes" (in some occasions literally…) and the
are being covered in blood, and the two aspects (the main story and the
events of the era) are being tied together in the same continuum.

At the same time, the director attempts to portrait the whole birth and
growth of the United States, in a kind of parabole, but without loosing
focus on the main story and the surrounding. Scorsese dives deeply into
psychology of his heroes, without giving out any explanation of their
other than the probable – he lets us figure it out ourselves, and that's
God-given gift.

The visuals: The film is disturbing, as it contains extreme violence.
are literally streams of blood, hacking, slashing, crushing – even some
action movie fans (hey dude, look, he smashed his head with that thing…
cool, man!") might find some parts of the film interesting. The last
sequence is visually astounding, and it's by it's own account a reason to
watch this film over and over again… if you got the stomach to actually
cope with the disturbing images, that is.

The actors: I didn't think it would come a day when I'd say that Leo Di
Caprio can act, but …here I go: The kid can act. And quite good too.
he needed a Scorsese to put him in the right path. Same with Cameron
Diaz –
she has got some potential, seems so. Too bad she wastes it in films like
"the sweetest thing" and other throw-ups like that. And… Daniel Day
Truly, with this performance, they should give him the Academy award. He
portrays the vile "Butcher" in a way few would be able of, and he adds
to a character that could very easily end up "two-dimensional". He is
stunningly good.

New York, New York: Scorsese gets involved in something that compares to
previous work the way a fancy little sports car compares to a huge truck:
grandioso film of epic proportions and of great ambition. He does
deliver, I
believe. But this film shall not be acknowledged universally, because
is too much violence, corruption, lack of the good old white vs black
vs evil, I mean) concept and does not sweeten the pill in any way. It's
disturbing and raw, and it's a great. It's not a political film – in
the director usually picks a stance, a "true" hero, an opposing view, and
builds upon those. In this case, the director is truly endistancemented
keeps that distance, even from his "hero". There are no "good" people in
that movie, all are acting like chess pieces in a predetermined way, but
the same time they try to burst out and do their own.

The verdict: A fabulous film, which is going to be recognized for such in
some years