Contact

July 11th, 1997







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more trailers Contact

Still of Jodie Foster in Contact

Plot
Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of intelligent aliens, who send plans for a mysterious machine.

Release Year: 1997

Rating: 7.3/10 (100,108 voted)

Critic's Score: 62/100

Director: Robert Zemeckis

Stars: Jodie Foster, Matthew McConaughey, Tom Skerritt

Storyline
Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway, who passed away when she was nine years old leaving her then orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (NSF) was pulled on her work, which is referred to some, including her NSF superior David Drumlin, as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders and other scientists such as Drumlin...

Writers: Carl Sagan, Carl Sagan

Cast:
Jena Malone - Young Ellie
David Morse - Ted Arroway
Jodie Foster - Eleanor Arroway
Geoffrey Blake - Fisher
William Fichtner - Kent
Sami Chester - Vernon (as SaMi Chester)
Timothy McNeil - Davio
Laura Elena Surillo - Cantina Woman
Matthew McConaughey - Palmer Joss
Tom Skerritt - David Drumlin
Henry Strozier - Minister
Michael Chaban - Hadden Suit
Max Martini - Willie (as Maximilian Martini)
Larry King - Himself
Thomas Garner - Ian Broderick

Taglines: Get ready to take a chance on something that just might end up being the most profoundly impactful moment for humanity, for the history... of history.



Details

Official Website: Warner Bros. [United States] |

Release Date: 11 July 1997

Filming Locations: Arecibo Observatory, Arecibo, Puerto Rico

Box Office Details

Budget: $90,000,000(estimated)

Opening Weekend: $20,584,908 (USA) (13 July 1997) (1923 Screens)

Gross: $171,120,329 (Worldwide) (1998)



Technical Specs

Runtime:



Did You Know?

Trivia:
Francis Ford Coppola filed breach-of-contract suits against Carl Sagan's estate and Warner Brothers, halting the film. He claimed that Sagan had developed the "Contact" premise for Zoetrope Studios (possibly for a Children's Television Workshop program). The suit alleged that Sagan had not paid the required $250,000 when he had turned the concept into a novel, and in any event was prohibited from selling the film rights to the story.

Goofs:
Errors in geography: As Ellie steps down the stairs of the U.S. Capitol after testifying, the limousines drive away on a road that is on the west side of the U.S. Capitol. In fact, there is no road there at all, only steps that lead down to a small reflecting pool. This road was added via CGI.

Quotes:
[first lines]
Young Ellie: CQ, this is W9GFO. CQ, this is W9GFO here. Come back?



User Review

"For Carl"

Rating: 10/10

Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.

The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.

A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.









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