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The Mask

Still of Jim Carrey and Ben Stein in The MaskStill of Cameron Diaz in The MaskStill of Jim Carrey in The MaskStill of Jim Carrey in The MaskStill of Jim Carrey in The MaskStill of Jim Carrey in The Mask


Bank clerk Stanley Ipkiss is transformed into a manic super-hero when he wears a mysterious mask.

Release Year: 1994

Rating: 6.7/10 (113,265 voted)

Critic's Score: 56/100

Chuck Russell

Stars: Jim Carrey, Cameron Diaz, Peter Riegert

Stanley Ipkiss is a bank clerk that is an incredibly nice man. Unfortunately, he is too nice for his own good and is a pushover when it comes to confrontations. After one of the worst days of his life, he finds a mask that depicts Loki, the Norse night god of mischief. Now, when he puts it on, he becomes his inner, self: a cartoony romantic wild man. However, a small time crime boss, Dorian Tyrel, comes across this character dubbed "The Mask" by the media. After Ipkiss's alter ego indirectly kills his friend in crime, Tyrel now wants this green-faced goon destroyed.

Writers: Michael Fallon, Mark Verheiden


Jim Carrey

Stanley Ipkiss

Peter Riegert

Lt. Mitch Kellaway

Peter Greene

Dorian Tyrell

Amy Yasbeck

Peggy Brandt

Richard Jeni

Charlie Schumaker

Orestes Matacena


Tim Bagley

Irv Ripley

Nancy Fish

Mrs. Peenman

Johnny Williams

Burt Ripley

Reg E. Cathey


(as Reginald E. Cathey)

Jim Doughan

Detective Doyle

Denis Forest

Sweet Eddy

Cameron Diaz

Tina Carlyle

Joseph Alfieri

Police Officer

B.J. Barie

Alley Punk #1

Stanley Ipkiss is not the man he used to be.

Release Date: 29 July 1994

Filming Locations: 6th Street Viaduct, Los Angeles, California, USA

Box Office Details

Budget: $18,000,000


Opening Weekend: $23,117,068
(31 July 1994)

Gross: $351,392,727

Technical Specs


Did You Know?


According to his memoirs Gary Kemp turned down the role of Tyrell in order to film
Magic Hunter.


Dr. Newman's pen.


[about to attack the mechanics who cheated him earlier]
Hold on to your lugnuts, it's tiiiiime for an overhaul!

User Review

Incredible success when seen as a surrealistic cinematic pastiche

Rating: 10/10

Stanley Ipkiss (Jim Carrey) is a bit of a dorky pushover. For example,
he buys hot concert tickets to try to get a date with a fellow bank
employee he's been pining after, but she easily scams him into keeping
the tickets for herself, and he is too weak to publicly object. But
when he comes across an ancient mask of Lodi long ago discarded by
Vikings who tried to bury the "troublesome object" at the "end of the
Earth", he discovers it has the power to unlock his true self–suave,
smooth-talking, manic, a bit dangerous, and a hopeless romantic.

The Mask was a perfect vehicle for Jim Carrey. It not only allowed
provided the perfect justification to flamboyantly engage in his
rubber-faced antics in a manner even more over-the-top than what he'd
become famous for, but it provided an opportunity to stretch his acting
chops towards a more serious side at just the right time in his career,
paving the way for later work such as Man on the Moon (1999), The
Majestic (2001) and Eternal Sunshine of the Spotless Mind (2004).

The success of the film wholly depends on Carrey, as he has to sell his
characters' frenzied insanity so that it's believable as a reflection
of Stanley's inner self while at the same time likable but teetering on
the edge of becoming obnoxiously overbearing. Of course, the amazing
special effects and make-up help, as well as the clever script and more
than competent directing and cinematography, but with the wrong actor
in the part, the whole affair could have easily collapsed. The other
cast members are fine in supporting roles, with Cameron Diaz coming
across as being almost otherworldly beautiful, but Carrey is rarely
off-screen, and rightly so.

The Mask is notable for both spoofing almost the whole history of
cinema while at the same time respectfully paying homage to it. The
audience is treated to everything from silent film slapstick to lavish
musical numbers (with excellent songs), frenzied Tex Avery-styled
animation to gangster film suspense. On its surface, the film is a
crazy, often funny, hyperactively paced cinematic pastiche.

The subtext about identity and public faces versus private selves is
interesting, but not the focus. It would be fine to explore further,
but to do so in this particular film would have taken too much time
away from Carrey's surrealistic tour de force. Besides, we've had later
films where that subtext has been closer to the heart of a story, such
as Catwoman (2004), and where it was very thoroughly and competently
dealt with.

Many aspects of The Mask differed from the comic book source material,
but this is a case where the changes led to such an excellent result
that most people have forgotten about the source material and primarily
remember Carrey's performance in this film as definitive.