Valmont

Plot

Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman…

Release Year: 1989

Rating: 6.9/10 (6,458 voted)

Critic's Score: 55/100

Director:
Milos Forman

Stars: Colin Firth, Annette Bening, Meg Tilly

Storyline
Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love. Based on the same novel as "Dangerous Liaisons."

Writers: Choderlos de Laclos, Jean-Claude Carrière

Cast:

Colin Firth
–

Valmont

Annette Bening
–

Merteuil

Meg Tilly
–

Madame de Tourvel

Fairuza Balk
–

Cecile

Siân Phillips
–

Madame de Volanges

(as Sian Phillips)

Jeffrey Jones
–

Gercourt

Henry Thomas
–

Danceny

Fabia Drake
–

Madame de Rosemonde

T.P. McKenna
–

Baron

Isla Blair
–

Baroness

Ian McNeice
–

Azolan

Aleta Mitchell
–

Victoire

Ronald Lacey
–

José

Vincent Schiavelli
–

Jean

Sandrine Dumas
–

Martine

Release Date: 17 November 1989

Filming Locations: Abbaye aux Hommes, Caen, Calvados, France

Box Office Details

Budget: $33,000,000

(estimated)

Opening Weekend: $96,008
(USA)
(19 November 1989)
(7 Screens)

Gross: $1,132,112
(USA)

Technical Specs

Runtime:

137 min

Did You Know?

Trivia:

Wil Wheaton was originally chosen to play Danceny, but the producers of
Star Trek: The Next Generation would not release him from his commitments, and the role went to Henry Thomas.

Goofs:

Continuity:
In the bathtub, talking with Valmont, Madame's negligee makes dramatic shifts on and off the legs from one shot to the next.

Quotes:

Madame de Volanges:
Cecile! Martine!

Martine:
Yes, Madame?

Madame de Volanges:
Where is Cecile?

Martine:
[nervously]
Cecile? She's… she has…

Madame de Volanges:
Where is she? Have you been at your post all night?

Martine:
Yes, madame.

Madame de Volanges:
Has anyone come in?

Martine:
No, Madame.

Madame de Volanges:
Martine.

Martine:
[fearfully]
Yes, Madame?
[…]

User Review

Sexual decadence before the time of the guillotine

Rating: 9/10


I liked this better than Dangerous Liaisons which came out at about the
same time. Of course Dangerous Liaisons was very good, and John
Malkovich, who played Vicomte de Valmont, is an actor of power, and
Glenn Close, who played the Marquise de Merteuil, is highly
accomplished, but I preferred the charm of Colin Firth in this film to
the brutality of Malkovich, and I thought Annette Bening was just
delightful. She played Merteuil with exquisite timing and an ironic
witchery and warmth that I shall not soon forget. I preferred her
playful, sly wit to Close's cool cynicism.

The story comes from a novel by Choderlos de Laclos set in 18th century
France that was made into a stage play by Christopher Hampton. It is a
cynical satire on human sexuality as well as a very subtle examination
of sexual hypocrisy and desire, a kind of oh so sophisticated laugh at
bourgeois morality that would have delighted Voltaire and Moliere and
greatly amused Shakespeare. It is a tale of elaborate lechery and
revenge that backfires because it seems that anybody, even the most
jagged rake can fall in love, and thereby become the victim. The
central assumption here is the same as that of the Cavalier poets,
namely that marriage kills love. As Merteuil says, "You don't marry
your lover."

Meg Tilly played Madame de Tourvel with subtlety and a riveting
passion. One of the great sequences in the movie occurs after she has
fallen madly in love with Valmont against her will. She stands outside
his doorway in the rain for hours looking adoringly and forlornly up at
his window. And then she is allowed to enter and receive a cool
reception. Valmont says, "Do you want me to lie to you?" and she
replies desperately, "Yes," and then it is her passion that overwhelms
him, leading to a beautifully ironic twist. Shortly afterward he sees
Merteuil, who has become more like a sister than an ex-lover, and says,
"I feel awful." She replies, "Are you surprised? (Pause) You are an
awful man." Hanging his head he continues, "Do you think a man can
change?" "Yes. (Pause) For the worse."

This theme, that it is the beloved who has the power and that once you
fall in love you lose all power, is repeated several times in the
movie. Valmont pursues women, the harder to get the better, with a
relentless and maniacal passion, but once he has them, he immediately
loses interest. His making love absentmindedly to Cecile de Volanges
(played with wide-eyed innocence and girlish charm by Fairuza Balk) was
an incredible irony when we consider what she would cost Gercourt,
played with his rather substantial nose in the air by Jeffrey Jones,
whom you may recall as the pratfalling principal in Ferris Bueller's
Day Off (1986).

There is some insidious philosophy here, some sardonic observations on
human nature worth mentioning. One is that the man beloved of women
gets most of the reproductive tries, and regardless of his rakishness,
is still beloved. Another is that duplicity is the accepted, even
required, standard of behavior in society, and that when it comes to
sex, one must, perforce, always lie.

Milos Forman's direction was invisible and therefore a work of art. The
incidental scenes and backdrops depicting the color, squalor and
decadence of pre-revolutionary France added just the right amount of
atmosphere. The costumes were stunning and much cleaner than they would
have been in reality. The elegance and beauty of all the titled people
merrily contrasted with the crude ugliness of the common people,
rightly reflecting the effete snobbery of the aristocracy before the
time of the guillotine.

(Note: Over 500 of my movie reviews are now available in my book "Cut
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