A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married…
Release Year: 1981
Rating: 6.9/10 (5,445 voted)
Stars: Meryl Streep, Jeremy Irons, Hilton McRae
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters.
Writers: John Fowles, Harold Pinter
Charles Henry Smithson
Girl on Undercliff
Boy on Undercliff
She was lost from the moment she saw him.
Release Date: August 1981
Filming Locations: Borough Market, Borough, London, England, UK
Did You Know?
Harriet Walter filmed a major featured role, which was totally deleted from the final print.
Early in the film, as Charles is going on to the jetty to warn Sarah, his cape changes in how it is buttoned from shot to shot.
[quoting Dr. Hartmann's treatise on melancholia]
"It was as if her torture had become her delight."
Complex yet Stunning
I came to the film adaptation of 'The French Lieutnant's Woman' with initial
trepidation. As anyone who has read the John Fowles novel will appreciate,
this is one text for which adaptation would not be a walk in the
How unfounded my uncertainty was! The director, writer and actors did a
fantastic job in adapting a complex novel to the screen. The film works
impeccably as a metaphor for what the novel was trying to achieve, which is
all we should expect from film adaptations.
Stand out features include:
The actors are perfect. I can't say anything new about Meryl Streep, who I
believe to be the finest actress ever to have graced the cinema screen. Here
(as ever) she is perfect – if you didn't know she was American you would
believe she is English, the accent is so accurate. She embodies the
character of Sarah perfectly with a multi layered performance, managing to
convey Sarah's dignity, her independence and her complex mystery. My only
criticism (if you can call it that) is that she is too beautiful! According
to the novel, Sarah is "not beautiful by any period's standards", but with
her porcelain complexion and delicate features, Meryl Streep is stunning. As
Charles, Jeremy Irons gives a commanding performance, managing to convey the
character's genteel veneer and the inner passion that lurks beneath. Both
actors are excellent, and the chemistry between the leads is
A "Story within a story". The way in which Harold Pinter weaves the Fowles
tale with the lives of Anna and Mike – the actresses who are playing the
Victorian lovers, is inspired. The manner in which the film flits from
Victorian age to modern day, is the filmic way of conveying Fowles's
tendency in the novel to judge his Victorian characters and their era by
Twentieth Century standards. Some critics have found this device jarring – I
find it clever and affecting.
Overall, 'The French Lieutenant's Woman' is a beautiful, haunting tale of
repressed love and social hypocrisy. Right from the opening shot, where we
see the image of Sarah on the Cobb looking out to sea, the viewer is grabbed
and drawn into this complex world. The actors are faultless, the screenplay
ingenious and the cinematography and score, haunting. If you normally find
yourself disappointed by novel adaptations, look no further than 'The French
Lieutenant's Woman' to show you that when a work is adapted properly, the
results can be stunning.